4 Well-Worn Paths to Becoming a Film Producer
Agent to Manager to Producer
Time Frame: 10 – 12 years
Degree of Difficulty: 5
Who is this person? Someone who went to law school or business school and is seriously in love with the art of the deal.
How did they make the leap? They built relationships with talent (actors, directors, writers) and helped set up projects, ultimately with themselves attached as producer.
Words to the wise: This is actually a pretty straight path. There is a preferred educational background involved (though not required) and having great relationships and top-level deal-making experience is perfect for a producer.
Considering/planning to take the plunge and move to Los Angeles to start or continue YOUR entertainment career? Sign up for a free webinar on June 4th, “The Big LA Move – or Not” to help you with all the questions about deciding to move (do I need to? should I? when?), planning the move (budgeting, scheduling, everything you can do before you go & one surprising thing you can’t do), and making the move (finding a place to live, finding a job, getting connected, starting to pursue your dreams). Sign up here.
Line Producer to Associate Producer to Producer
Time Frame: 10 – 15 years
Degree of Difficulty: 7
Who is this person? A combination of a drill sergeant and a politician, someone who can move mountains on a tight budget and short notice.
How did they make the leap? They became the can-do person for a certain director, developed a reputation for getting a certain high-degree-of-difficulty movie done, and/or positioned themselves as integral to getting projects done, the only person who could do it right (applying the political skills), thus becoming the first one the studio or high-level creative producer calls when starting their next project.
Words to the wise: If you can’t handle 20 hour work days, traveling wherever the work takes you, untangling logistical puzzles, and dealing with sometimes very delicate egos, this option is not for you.
Development Executive to Production Executive to Producer
Time Frame: 10 to 15 years
Degree of Difficulty: 8
Who is this person? An extremely adept social creature with adaptive skills, great radar, and story sense and recall that allows them to pitch any project on command even in their sleep (after staying up all night reading 20 scripts, for instance).
How did they make the leap? After surviving the rigors of climbing the executive ladder at a studio or production company, they reached a point where they had enough high-level relationships and built a good-enough reputation to go out on their own.
Word to the wise: This path definitely involves some degree of luck. If you get under the wing of a rising executive above you and he makes it to the top of the studio or production company heap, you get a big advantage on your path to producer. If, on the other hand, you manage to alienate him/her (by giving him too much credit for a bomb or not enough credit for a hit, for instance) or, if your mentor gets ousted and replaced by someone you don’t mesh with, you can be set back several steps.
“Nobody” With a Great Script and a Dream to Producer
Time Frame: 5 to 50 years
Degree of difficulty: 10
Who is this person? Someone who is bold enough to embark on one of the toughest journeys there is in Hollywood, becaused on a combination of passion, drive, and ignorance.
How did they make the leap? They kept calling and calling and calling and eventually someone answered the phone. They did this 1000 times, ignored all naysayers, had the luck to run into a number of people who knew more than they did. They refused to hear no.
Word to the wise: This is harder than even I make it sound and, of course, very rewarding if it works out. You definitely have an advantage if you have a big pile of money when you set out on this adventure or a generous benefactor. So be a dot com billionaire first, if you can. It helps.
If you liked the information contained in this post, subscribe to Your Industry Insider to get weekly emails about new content, free webinars, and special offers. Become a Your Industry Insider today!
ENTER YOUR EMAIL ADDRESS HERE & PRESS SUBMIT








Comment
Julia
November 19, 2010 at 9:57 amGreat article! I fall into the last category and while I have worked in the biz for 20 years and am just starting on this new path this year, I have great connections and people to turn to, but it’s going to be 10 on the difficulty scale. Glutton for passionate punishment! Wait, that came out sort of wrong…
.-= Julia´s last blog ..SGF Second Anniversary Month! Giveaway! =-.
Lost
January 22, 2013 at 8:02 pmI can’t decide that after reading this article i have lost hope or gotten motivated.
JennyYM
January 29, 2013 at 1:17 pmWell I hope the latter. It doesn’t happen overnight but it can happen. Takes lots of perseverence though!
Chip
March 23, 2013 at 6:24 amCan or has anyone come from the distribution side? If no, care to offer a hypothesis?
JennyYM
March 25, 2013 at 7:12 amYes, absolutely. While not as common as the backgrounds listed here, the ability to presell the foreign rights to a movie in order to finance the production is certainly a plus for a producer. While he did work in production early in his career, including producing & direction a few small films, Patrick Wachsberger (Summit Entertainment) headed a foreign sales company for several years before he got into mainstream producing through facilitating foreign presales.
Trackbacks for this post