Posts Tagged ‘Jon Katzman’

Inside Scoop: Television Producer Jon Katzman

Friday, June 5th, 2009
Jon and former Paramount Pictures CEO, Sherry Lansing

Jon and former Paramount CEO Sherry Lansing

Current position: Producer/Film Festival Proprietor (Third Screen Film Festival)/Director Columbia College Semester-in-LA program

 

College & degree: B.A. in Social, Cultural, & Intellectual History from UC Berkeley, MBA from UCLA

 

Internship: Paid position at Channel 10 Australia based in Sydney. Helped a group of smart people from Real Estate lose their Collective Shirts in Media. Learned that if you’re going to build it, you better have enough potential viewers to cover your costs.

 

First job in the entertainment industry: Handing out flyers to see free movies in Westwood for the top film research company, National Research Group. Loved talking to people about movies and trying to get them to go. Learned that you get paid more when people show up.

 

Big break: Getting into the Management Associates Program at NBC, reporting to NBC Chairman Brandon Tartikoff. Followed Brandon around from development to production to programming meetings. Highlights of the year included “Saved by the Bell,” “The Fresh Prince of Bel Air,” and a series of comedy specials that they ordered one-at-a-time called “Seinfeld.”

 

Career path: Television Executive to Television Producer… to Entrepreneur and Educator. I was in the office next to most of the great hits that were developed in the last 20 years. From aforementioned NBC to Warners, where we produced 1/3rd of all television, including “Friends” and “ER.” From there, I went to Regency Television where we developed “Malcolm In the Middle” and “Roswell,” among others. Titles of Director, V.P., to Senior V.P. don’t seem to really matter. The real titles seem to be “suit” or “creative.” An independent movie I co-produced between gigs had helped convince New Regency that I could handle starting their TV division, so don’t say no to a new experience. It might be just what you need for your next position.   

 

Eureka moment: Studying Eisenstein (early writer/director who created BATTLESHIP POTEMKIN) at Berkeley, then shooting five films at an NYU summer program with an Ari 16S.  Knew that I belonged in the film (or TV) business.

 

Worst job in the industry: Moving from development to current programming at Lorimar at 24 years old.  I thought it was the end – it was still the first inning.  The head of the studio made the “suggestion,” that I move into currents, but it took me out of the middle of the development action and over to the production side. I never did make it back into the middle of the development game, but that move set the path for later productions.     

 

Best day in the industry: Screening of Jamie Foxx movie “Redemption: The Stan Tookie Williams Story” at Fox. I had found the article in the L.A. Times and wound up Executive Producing it. We won awards from the right-leaning Templeton Awards to the NAACP awards. It was the story of the co-founder of the Crips gang who was nominated for a Nobel Peace prize while he was on Death Row. It was in development for a long time, but it was the third high profile biography that I had been involved with. My fourth was “Man in the Mirror” (about Michael Jackson) for VH1. People said we couldn’t get ”Redemption” made for a network, but we did. Imagine making a movie like that for Fox. Pretty amazing. At the screening, the subject of the movie, Stan called from prison – it was special. The State of California executed him later that year. 

 

Best thing about your current job: Lots of flexibility – great people. Living the definition of power in Hollywood by “getting to choose who I want to work with.” I’m currently working with a lot of people on their passion projects. The position with Columbia College has put me in the position where I no longer need to do projects just for the money. 

 

Worst thing about your current job: When nothing happens with my pushing. Some days it’s like Sysyphus and his rock.

 

Brush(es) with greatness: They’re pretty rare. Mostly confirms that a lot of the industry is smoke and mirrors. Don’t fall for it. Of course, working with a talented writer breaking a story always has its own magic. And I have recently become friends with James Ellroy. He is someone who refuses all of the limiting lessons that we’ve accumulated over the years. It’s pretty remarkable spending time with him. 

 

Secret of your success/advice to the newbie: Keep moving forward every day. Do your best not to compare yourself to your peers. I promise there will always be people ahead of you. Keep your eye on what you want and others will recognize that you deserve it.

 

Next move: Continue to work in different mediums as a writer and director, as well as a producer.  Basically, begin to hire myself.

 

Jon Working with Students
Jon Working with Students

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Spotlight: Third Screen Film Festival

Wednesday, April 22nd, 2009

Jon Katzman is a producer and former television executive, the Director of the Semester in LA program for Columbia College, and an entrepreneur focused on opportunities in media and technology. Jon is also the Director of the Third Screen Film Festival, now in its fourth year. YII caught up with Jon to find out more about this innovative competition.

 

What is the Third Screen Film Festival?

It’s an online and mobile film festival which provides a platform for talented short-form filmmakers. Films of up to eight minutes are judged by internet viewers and a panel of industry judges. Submission is free and the filmmakers get access to our sponsors, which in the past have included MTV and A & E, and their accompanying platforms. (Sponsors for this year are being finalized now.)

 

What inspired you to start this festival?

Working with Columbia College students, some of whom are budding producers and directors trying to break into the industry, I know how difficult it is for outsiders to get their work seen. And I also know, from being an executive in the industry, that if you send people a link, they are more likely to watch.

 

Who are the judges?

Television, film, and new media professionals. This year’s lineup includes David Gale, former MTV movie executive now overseeing their online content, Yvette Lee Browser, creator of “Living Single,” and feature and television writer/producer Dave Garrett.

 

Do the films have to be created specifically for mobile outlets?

No, because nobody knows what mobile wants. We are hoping for new, original, distinctive, and compelling content that will help people decide what mobile wants.

 

How are entries judged?

They are in competition with each other on the website for viewer votes and then finalists (less than 20 out of 100s of submissions) are voted on for judges. Prizes go to the judge’s choice as well as the top vote-getter.

 

How are the winners announced? What is the prize?

We do a big event each year to celebrate the winners and their films. Both the Grand prize (top vote getter on-linr) and the jury prize (chosen by the panel of judges) receive cash. The amount varies, but usually somewhere around $5,000.

 

Who are the contestants?

They come from all over the world. There are lots of animators, and definitely people with experience, for the most part.

 

What was the most difficult aspect of creating it?

The website design. We had to start from scratch once, revise 2 – 3 times. But outreach to the film community has been very well-received, suprisingly easy.

 

What is/was the best aspect of running it?

Getting access to talented filmmakers from all over the world, and having the opportunity to talk with them and establish relationships. Connecting filmmakers and judges to develop projects together, and learning how new media works. It looks like we’re going to have opportunity to distribute winners internationally, assuming the filmmakers are interested.

 

What is the time-frame for this year’s contest?

We’ll be launching site in about a month (once sponsorship is finalized). Submissions will go in two semi-final rounds (enter in a month or so for the first round or in a few months for the second round).

 

Readers- We’ll be announcing here at YII when the first round of competition begins or you can check in directly at the Third Screen Film Festival site.